數據主義史觀下的庶民雜音
模擬人類學方法記錄人們在地的情感軌跡,將文字紀錄輸入予所訓練之人工智能模型，令其追朔形構不被記載的庶民生活樣貌記載。 我以人工智能回應為文本，將這些生成的庶民故事（其結果為船難事件）重新以詩歌體例撰寫三首詩歌（紅、藍、白）後刻劃於指定質地。 最後這些文字與物件再根據人工智能指定操作方法重新組織為一個新的儀式現場。 存在於庶民口述的田野文本與存在於電子數據庫的歷史文本透過人工智能編列的浸禮儀式重新連結土地使數據獲得某種祭祀功能的靈光與對照。 作品包含與人工智能對話之相關文本—輸入之田野筆記資料、科考現場錄像、道教科儀採集；輸出之庶民故事、儀式操作指南及對於《儀式模組》的研究與藝術評論、船體殘骸擬制令旗、影像及現成物。
"Civilian Noise under the Historical View of Dataism As an apostle of artificial intelligence, I employ anthropological methods to record the localized emotional trajectories of people. These written records are input into the trained artificial intelligence model, allowing it to trace and reconstruct the unrecorded aspects of ordinary life. I respond to the text with artificial intelligence and rewrite these generated civilian stories (the outcomes of shipwreck events) into three poems (Red, Blue, White), inscribed onto a specified texture. Finally, these texts and objects are reorganized according to the operational methods designated by artificial intelligence into a new ritualistic scene. The field texts narrated by the civilians and the historical texts existing in the electronic database reconnect to the land through the immersion rituals compiled by artificial intelligence, endowing data with a ceremonial function's aura and emergence. The work includes texts related to dialogues with artificial intelligence - input field notes, scientific expedition on-site videos, Taoist rituals; outputs of civilian stories, ritual operation guides, and research and artistic criticism about the 'Ritual Module,' simulated command flags of shipwreck remains, imagery, and readymades."
模擬人類學方法記錄人們在地的情感軌跡,將文字紀錄輸入予所訓練之人工智能模型，令其追朔形構五十餘篇虛構的菸廠工人日記，並由藝術家截選手抄於手抄紙上。
以這些虛構的日記為文本，藝術家與人工智能進行互動對話後分別製造了勞動告解室部件、勞動碑部件、研究文本部件、出土儀式部件。
Simulating anthropological methods to record the emotional trajectories of local individuals, the text data is fed into a trained artificial intelligence model. This allows for the retrospective construction of over fifty fictional diaries of tobacco factory workers, which are then selectively handwritten by the artist onto manuscript paper. Utilizing these fabricated diaries as text, both the artist and the AI engage in interactive dialogues, resulting in the creation of various components: a "Labor Confession Room," a "Labor Monument," research text components, and "Excavation Ritual" components.